ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「Swipe left to discover something new at MoMA → The existential metaphor of wide-open sky, contained. The eye was a subject that fascinated many #Surrealist poets and visual artists, given its position between inner, subjective self and the external world. René #Magritte’s “The False Mirror,” on view in Gallery 517: Surrealist Objects, has an unsettling character: it places the viewer on the spot, caught between looking through and being watched by an eye that, despite its cumulus-cloud-filled beauty, proves to be empty. #GeoffreyHendricks’s penchant for painting skies on everything earned him the nickname “Cloudsmith.” One thing that's consistent, Hendricks said, is the sky is always changing—you can paint it over and over again but it's never the same. The #Fluxus artist lived in New York’s industrial SoHo neighborhood in the 1960s, scrounging for humble art materials in dumpsters. “Sky Crated” is made from a common pallet used to load docks. See the irreverent work in Gallery 410: At the Border of Art and Life. #MoMACollection #newMoMA --- [Left to right: René Magritte. “The False Mirror” (detail). 1929. Oil on canvas. 21 1/4 x 31 7/8" (54 x 80.9 cm). © 2019 C. Herscovici, Brussels / Artists Rights Society (ARS), New York; Geoffrey Hendricks. “Sky Crated.” 1965. Oil on canvas and wood. 38 1/8 × 26 1/2 × 3 1/8" (96.8 × 67.3 × 8 cm). © 2019 Geoffrey Hendricks]」1月24日 6時07分