The New Yorkerのインスタグラム(newyorkermag) - 9月9日 21時05分

The artist Pipilotti Rist wants her video work to be like handbags, with “room in them for everything: painting, technology, language, music, lousy flowing pictures, poetry, commotion, premonitions of death, sex, and friendliness.” Rist became an international star in the art world after releasing her 1997 video, “Ever Is Over All,” in which a young woman smashes car windows with a wand painted to look like a flower. Nineteen years later, Beyoncé appeared to echo the idea in her 2016 music video “Hold Up.” At the link in our bio, read a Profile of the Swiss video artist, who has done more to expand the video medium than any artist since Nam June Paik. Photograph by Pipilotti Rist / © P. Rist. Courtesy the artist, Hauser & Wirth, and Luhring Augustine.

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