トームさんのインスタグラム写真 - (トームInstagram)「There’s a saying in criticism that “depiction does not equal endorsement.” Art should be able to address taboos without necessarily advocating for them, but some surface-level readings miss what the work digs into because it’s not obvious at first glance. In the wake of conservative outrage over an early poster of debut writer/director Maïmouna Doucouré’s “Cuties,” this is a sentiment that bears repeating. The film actively critiques the very thing pearl-clutchers were mad about—the sexualization of children—but Doucouré received death threats. Netflix, the movie’s distributor, issued an apology.  . Controversy aside, “Cuties” is a difficult and challenging film, pushing the idea of “depiction does not equal endorsement” to its limit. It will not surprise me to read responses still accusing the movie of what it condemns. However, Doucouré uses these uncomfortable images to provoke a serious conversation about the sexualization of girls—especially regarding girls of color, the policing of a girl’s sexuality, double standards, the effect of social media on kids, and how children learn these behaviors. To do this, the director shows what it looks like for young girls to emulate what they see in music videos and grown-up dance routines. A few times in the film, we see the confused or even disgusted faces of adults watching the younger generation gyrate and twerk, biting their lips or their nail in a suggestive way. It’s likely that these girls don’t fully understand what those gestures mean, but they see it in pop culture and they imitate it, like several other generations of girls before them. Doucouré also explores some of the emotional tangles that come with wanting to fit in and to be taken seriously, as well as the repercussions that come with acting youthfully impulsive. Many of these experiences were rooted in the director’s own childhood or in the stories of girls she interviewed when working on the “Cuties” script.  . By Monica Castillo for rogerebert.com .  https://www.rogerebert.com/reviews/cuties-movie-review-2020」9月12日 5時59分 - tomenyc

トームのインスタグラム(tomenyc) - 9月12日 05時59分


There’s a saying in criticism that “depiction does not equal endorsement.” Art should be able to address taboos without necessarily advocating for them, but some surface-level readings miss what the work digs into because it’s not obvious at first glance. In the wake of conservative outrage over an early poster of debut writer/director Maïmouna Doucouré’s “Cuties,” this is a sentiment that bears repeating. The film actively critiques the very thing pearl-clutchers were mad about—the sexualization of children—but Doucouré received death threats. Netflix, the movie’s distributor, issued an apology.
.
Controversy aside, “Cuties” is a difficult and challenging film, pushing the idea of “depiction does not equal endorsement” to its limit. It will not surprise me to read responses still accusing the movie of what it condemns. However, Doucouré uses these uncomfortable images to provoke a serious conversation about the sexualization of girls—especially regarding girls of color, the policing of a girl’s sexuality, double standards, the effect of social media on kids, and how children learn these behaviors. To do this, the director shows what it looks like for young girls to emulate what they see in music videos and grown-up dance routines. A few times in the film, we see the confused or even disgusted faces of adults watching the younger generation gyrate and twerk, biting their lips or their nail in a suggestive way. It’s likely that these girls don’t fully understand what those gestures mean, but they see it in pop culture and they imitate it, like several other generations of girls before them. Doucouré also explores some of the emotional tangles that come with wanting to fit in and to be taken seriously, as well as the repercussions that come with acting youthfully impulsive. Many of these experiences were rooted in the director’s own childhood or in the stories of girls she interviewed when working on the “Cuties” script.
.
By Monica Castillo for rogerebert.com
.

https://www.rogerebert.com/reviews/cuties-movie-review-2020


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