グッゲンハイム美術館のインスタグラム(guggenheim) - 9月13日 00時05分
#GuggenheimAtLarge: In the latest installment of the Guggenheim Circular, we’re exploring the theme of “Time,” in all its forms and intricacies.
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Philippe Parreno’s “El Sueño de una Cosa” is a looping video installation in two parts. In the first, the visitor encounters a room featuring seven white panels—replicating Robert Rauschenberg’s “White Painting” (1951). After 4 minutes and 33 seconds (alluding to the length of John Cage’s “silent” score), the installation shifts: The lights dim, and the “paintings” transform into a screen onto which is projected a 60-second film of the Norwegian hillside accompanied by Edgard Varèse’s “Déserts” (1950–54), music originally composed for an imaginary modernist film.
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At the core of this installation is Parreno’s reference to these three 20th-century works, each of which attempts to represent purity or the “seemingly infinite.” By rearranging their contexts, Parreno interrupts their time-based logic and our understanding of the ineffable.
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To explore the rest of the “Time” gallery, click the link in our bio.
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“El Sueño de una Cosa” (2001), © Philippe Parreno, courtesy of the artist and Gladstone Gallery, New York and Brussels.
#PhilippeParreno #GuggenheimCollection #Guggenheim
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2020/9/13