The New Yorkerさんのインスタグラム写真 - (The New YorkerInstagram)「In the course of her career, Ming Smith photographed various forms of Black community and creativity, from mothers and children having an ordinary day in Harlem to definitive portraits of famous Black cultural figures, such as Grace Jones and Tina Turner. In 1975, Smith became the first African-American female photographer to have her works enter MOMA’s permanent collection. Then, as she said in one recent interview, “for 40 years, there was nothing, no shows, no artist talks.” Now the modern day has finally caught up to Smith. "Her remarkable body of photography belongs in the canon," Yxta Maya Murray writes, "for its wealth of ideas and for its preservation of Black women’s lives during an age, not unlike today, when nothing could be taken for granted." Photographs by Ming Smith / Courtesy Aperture.」9月27日 2時44分 - newyorkermag

The New Yorkerのインスタグラム(newyorkermag) - 9月27日 02時44分


In the course of her career, Ming Smith photographed various forms of Black community and creativity, from mothers and children having an ordinary day in Harlem to definitive portraits of famous Black cultural figures, such as Grace Jones and Tina Turner. In 1975, Smith became the first African-American female photographer to have her works enter MOMA’s permanent collection. Then, as she said in one recent interview, “for 40 years, there was nothing, no shows, no artist talks.” Now the modern day has finally caught up to Smith. "Her remarkable body of photography belongs in the canon," Yxta Maya Murray writes, "for its wealth of ideas and for its preservation of Black women’s lives during an age, not unlike today, when nothing could be taken for granted." Photographs by Ming Smith / Courtesy Aperture.


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