The New Yorkerのインスタグラム(newyorkermag) - 10月14日 03時02分

With public life shut down, the novelist Emma Cline finds herself drawn to the chance encounters in Mike Mandel’s 1971 collection of self-portraits, “Myself: Timed Exposures," which depict the photographer, with his long dark hair and thick-framed glasses, as he rambles through black-and-white Southern California. "Though the title prepares you for an onslaught of Mandel, only two of the images show him alone in the frame," Cline writes. "The other 37 photographs feature strangers of all types, as Mandel thrusts himself into the bustle and rush of street life, popping up among people like an imp, a groovy visitor from another planet." Tap the link in our bio to see more.

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