TIME Magazineのインスタグラム(time) - 2月6日 00時08分

While cinema has long had a love affair with historical narratives—reverently recreating the lives of scientists, gangsters, pilots and kings—very few of those figures have been Black. Over the past few years, however, a growing number of Black filmmakers have found opportunities to tell history-based stories, determined to reject white-savior narratives and center Black interiority, write Andrew R. Chow and Josiah Bates. They have grieved anew alongside the Central Park Five (@whentheyseeus) and taught many about the buried history of the Tulsa race massacre (@watchmen). They’ve instilled compassion and unruly texture into stories of 1980s drag ball performers (@poseonfx); a titan of the blues (@maraineyfilm); and the first Black female presidential candidate for a major party, Shirley Chisholm (@mrsam_fxonhulu)—celebrating not just greatness or injustice but also parts of Black life that had previously unfolded offscreen. These works are not just a matter of representation but of history itself. Read more at the link in bio. Photograph by @nakeya_brown for TIME; Sabrina Lantos—FX; Atsushi Nishijima—Netflix; JoJo Whilden—FX

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