村上隆さんのインスタグラム写真 - (村上隆Instagram)「No.8 When the great-uncle speaks and the abominable geometric forms shift around, they glisten, of all things. This, too, I thought, was a ridicule of the absurd Western-style logical expression in Japanese art education. In other words, it is a tragedy that the first step in Japanese art education is in geometric forms. However, the Japanese aesthetic that started out from there did not form the beauty of Japan today; rather, manga-style art, which seems to utterly ignore Western academism, has become the mainstream of Japanese art... I wonder if those forms are a metaphor for this....     8) The issue of Great-uncle's successor ※※※※※※※※※※※※※※ Toshio Okada said that the great-uncle was modeled after Einstein, and sure enough, if we look at it along that line, Einstein offered the truth of Western science to Hayao-san, saying, "You take over," but Hayao-san said, "No, no, I'm going to become a mere anime artist and still live in the future," which I thought was the relationship between Einstein = the atomic bomb and Hayao-san.     9) The meaning of the end credits without "The End.” And why Kenshi Yonezu? The meaning of the theme song. ※※※※※※※※※※※※※※  At the end of the film, a bright blue color suddenly spreads on the screen and the song called "Globe" by Kenshi Yonezu starts. This is probably because Hayao Miyazaki, who in the past had truly been particular about the endings of his films, such as “Castle in the Sky” and “Spirited Away”, and had even written lyrics to complete his works, decided to entrust the ending to the young generation this time. He probably only asked the musician to write a song on the theme of the "globe," as a kind of self-portrait that people use to identify themselves, leaving everything up to the young person, providing no background, no lyrics, or any other requests.   At the end of his film, Hayao-san used to always show a sign in one form or another (a variation on “The End”) marking the end of the story, but why not this time? I think the reason is because he is truly posing a question to everyone, along with Kenshi Yonezu’s song, about how one should live one’s life, entrusting the future to the young.   That’s all from me.」9月11日 6時53分 - takashipom

村上隆のインスタグラム(takashipom) - 9月11日 06時53分


No.8
When the great-uncle speaks and the abominable geometric forms shift around, they glisten, of all things. This, too, I thought, was a ridicule of the absurd Western-style logical expression in Japanese art education. In other words, it is a tragedy that the first step in Japanese art education is in geometric forms. However, the Japanese aesthetic that started out from there did not form the beauty of Japan today; rather, manga-style art, which seems to utterly ignore Western academism, has become the mainstream of Japanese art... I wonder if those forms are a metaphor for this....


8) The issue of Great-uncle's successor
※※※※※※※※※※※※※※
Toshio Okada said that the great-uncle was modeled after Einstein, and sure enough, if we look at it along that line, Einstein offered the truth of Western science to Hayao-san, saying, "You take over," but Hayao-san said, "No, no, I'm going to become a mere anime artist and still live in the future," which I thought was the relationship between Einstein = the atomic bomb and Hayao-san.


9) The meaning of the end credits without "The End.” And why Kenshi Yonezu? The meaning of the theme song.
※※※※※※※※※※※※※※
At the end of the film, a bright blue color suddenly spreads on the screen and the song called "Globe" by Kenshi Yonezu starts. This is probably because Hayao Miyazaki, who in the past had truly been particular about the endings of his films, such as “Castle in the Sky” and “Spirited Away”, and had even written lyrics to complete his works, decided to entrust the ending to the young generation this time. He probably only asked the musician to write a song on the theme of the "globe," as a kind of self-portrait that people use to identify themselves, leaving everything up to the young person, providing no background, no lyrics, or any other requests.

At the end of his film, Hayao-san used to always show a sign in one form or another (a variation on “The End”) marking the end of the story, but why not this time? I think the reason is because he is truly posing a question to everyone, along with Kenshi Yonezu’s song, about how one should live one’s life, entrusting the future to the young.

That’s all from me.


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