ニュー・ミュージアム・オブ・コンテンポラリー・アートさんのインスタグラム写真 - (ニュー・ミュージアム・オブ・コンテンポラリー・アートInstagram)「In 1973, @judy.chicago and painter Miriam Schapiro coauthored the essay “Female Imagery” for Womanspace Journal. Comparing floral imagery in works by artists like Georgia O’Keeffe, Barbara Hepworth, and Lee Bontecou, this essay also introduced the idea of “central core” imagery—a phrase Chicago would apply to much of her abstract work throughout the 1970s. "Through the Flower" (1973), now on view in "Judy Chicago: Herstory," is considered a triumph of Chicago's early feminist period, representing the artist's explicit identification as a feminist artist invested in recovering women’s experiences from cultural and historical obscurity. Since the 1970s, Chicago has consistently reclaimed motifs coded as feminine and subsequently dismissed as merely decorative, including flowers and butterflies. Images: Judy Chicago, "Through the Flower 2," 1973. Collection Diane Gelon. © Judy Chicago/Artists Rights Society (ARS), New York. Photo: Donald Woodman/Artists Rights Society (ARS), New York; Judy Chicago, "Virginia Woolf," from The Reincarnation Triptych, 1973. © Judy Chicago/Artists Rights Society (ARS), New York. Collection Kirsten Grimstad and Diana Gould; “Judy Chicago: Herstory,” 2023. Exhibition view: New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni #JudyChicago #JudyChicagoHerstory」11月14日 23時45分