トームさんのインスタグラム写真 - (トームInstagram)「Caught the last day of @anish.kapoor @lisson_gallery a redux of his phenomenal Venice Biennale 2022 installations that I was lucky to experience… “This November, across both of Lisson Gallery’s New York locations, Anish Kapoor presents an exhibition of new and recent works, following his highly acclaimed career-spanning survey at the Gallerie dell’Accademia and the Palazzo Manfrin in Venice last year. The exhibition brings together never before seen standalone sculptures and large-scale installations, presenting for the first time in an exhibition in New York the artist’s enigmatic and corporeal paintings and premiering a series of works using the extraordinary Vantablack nano-technology: a substance – so dark that it absorbs 99.8% of visible light. Kapoor has gained recent acclaim for his paintings, a long-standing element of his practice that has received new attention over the past decade in museum exhibitions from the Rijksmuseum in Amsterdam to the Museum of Contemporary Art in Shenzhen. At 504 West 24th Street, powerful and explosive large-scale oil paintings churn with expressive brushwork, reverberating between corporal definition and abstraction. Within their seemingly violent energy these paintings contain an intimate and spiritual tension and explore the fundamental functions and poetics of life. One group, titled Ein Sof (2022) refers to the term, in Kabbalah, of the Infinite God – a deity with no static, definable form, one that is hidden and revealed, real and illusory, creator of humankind and humankind’s creation. Each vibrant painting reveals the process of bursting out of its own dark shadow with luminous crimson paint, the blood-red material partially defining a figurative object in transformation. “」12月18日 6時10分