ニューヨーク・タイムズのインスタグラム(nytimes) - 10月25日 00時18分

#SpeakingInDance | “This is a section where the Kandyan dancers are actually dancing to Odissi’s sound,” said the choreographer and dancer Surupa Sen of “Saṃhara Revisited,” which brings together two dance traditions: the classical Indian dance form of Odissi, performed by @nrityagram (in saris), and Kandyan dance from Sri Lanka, performed by members of @chitrasena_dance. “Even though they’re doing completely Kandyan movements, you can actually see the differences in the way they use their bodies to melody,” Surupa said. “They only dance to rhythm, so their whole body language changes.” For “Saṃhara Revisited,” performed at the Temple of Dendur at the @メトロポリタン美術館, Oct. 27-28, Surupa, assisted by the Kandyan choreographer Heshma Wignaraja, said she wondered, “How to do it so it’s a conversation and not fusion?" The answer, she told told the @ニューヨーク・タイムズ writer @giadk: "I found their masculine counterpart to the femininity of Odissi.” @anrizzy took this video for #SpeakingInDance, our weekly series exploring the world of #dance.

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