ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「“I make no distinction between painting and poetry.” –Joan Miró #WorldPoetryDay … Adopting similar creative techniques to those of his poet friends, Miró developed a vocabulary of visual signs that could be compared to words. In the drawing “The Family,” hieroglyphic forms symbolize a father, mother, and young child. These imaginative characters are carefully placed within a faintly visible grid, in which the mother’s plant-like body acts as an anchor. The small flames extending from her heart, Miró indicated, stand for maternal love. Now on view in our #JoanMiró exhibition. … [Credit: Joan Miró. “The Family.” 1924. Charcoal, chalk, and conté crayon on flocked paper. Gift of Mr. and Mrs. Jan Mitchell. © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris]」3月22日 3時22分 - themuseumofmodernart

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 3月22日 03時22分


“I make no distinction between painting and poetry.” –Joan Miró #WorldPoetryDay

Adopting similar creative techniques to those of his poet friends, Miró developed a vocabulary of visual signs that could be compared to words. In the drawing “The Family,” hieroglyphic forms symbolize a father, mother, and young child. These imaginative characters are carefully placed within a faintly visible grid, in which the mother’s plant-like body acts as an anchor. The small flames extending from her heart, Miró indicated, stand for maternal love. Now on view in our #JoanMiró exhibition.

[Credit: Joan Miró. “The Family.” 1924. Charcoal, chalk, and conté crayon on flocked paper. Gift of Mr. and Mrs. Jan Mitchell. © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris]


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