ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 3月22日 06時01分


“I’m interested in how blackness is a technology, changing and adapting through the constant surveillance and oppression of black folks across the diaspora since the 1600s.” –#SondraPerry

With her workstations Perry turns exercise machines into interactive sculptures, merging physical exertion and virtual experience. You are invited to ride the bicycle, while the artist’s avatar—designed in Blender, an open-source 3-D–rendering program—speaks directly to you, questioning the value we place on productivity and our ideas of success, from video monitors. Working out on Perry’s rogue machines becomes a meditation on work itself. The artist specifically addresses the histories of labor in the African diaspora—and the violent engineering of bodies into expendable commodities, material resources to be extracted. Now on view: mo.ma/arttech #ArtTechMoMA

Explore more women artists and share your inspirations with #5womenartists.

[Credit: Sondra Perry. “Graft and Ash for a Three Monitor Workstation.” 2016. Video (color, sound; 9:05 min.) and bicycle workstation. Fund for the Twenty-First Century. © 2019 Sondra Perry]


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2019/3/22

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