ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「Revisiting the strategy of collage, #JoanMiró began this work by nailing a hefty bundle of rope to a cardboard support. The three painted figures around it were then formed in relation to the shape of the rope, which he described as “binding and torturing them.” These grimacing figures with glaring eyes and saw-like teeth, communicate a sense of violence and aggression. “Rope and People, I” seems to be filled with the deep political unease that marked this period in Spain and that would soon break into civil war. Now on view: mo.ma/miro .... [Credit: Joan Miró. “Rope and People, I” (detail). Barcelona, March 27, 1935. Oil on cardboard mounted on wood, with coil of rope. Gift of the Pierre Matisse Gallery. © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris]」4月23日 1時53分 - themuseumofmodernart

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月23日 01時53分


Revisiting the strategy of collage, #JoanMiró began this work by nailing a hefty bundle of rope to a cardboard support. The three painted figures around it were then formed in relation to the shape of the rope, which he described as “binding and torturing them.” These grimacing figures with glaring eyes and saw-like teeth, communicate a sense of violence and aggression. “Rope and People, I” seems to be filled with the deep political unease that marked this period in Spain and that would soon break into civil war. Now on view: mo.ma/miro
....
[Credit: Joan Miró. “Rope and People, I” (detail). Barcelona, March 27, 1935. Oil on cardboard mounted on wood, with coil of rope. Gift of the Pierre Matisse Gallery. © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris]


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