フィラデルフィア美術館のインスタグラム(philamuseum) - 5月12日 04時48分

Working during the Great Depression of the 1930s, #JeanArp rejected the idea of monumental statues dedicated to individuals and events. He instead embraced a quasi-abstract style that, he explained, “wants to simplify man’s life” and “urges man to identify himself with nature.” As a result, “Growth” resembles the forms of both humans and plants, and the twisted limbs recall Auguste Rodin’s unsettling sculptures of body fragments, which fascinated Arp. See this work now on view in "Rethinking the Modern Monument" at the #RodinMuseum.
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“Growth,” modeled in plaster 1938 by Jean (Hans) Arp, cast in bronze by 1949 © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

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