グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「#PrideMonth: “For Ad Minoliti (@minoliti), color theory is queer theory. In her expansive painting and conceptual practice, color and figuration become a framework in which to think through multitude, subjectivity, and difference. If queer theory proposes the construction of community through differences, not through sameness or identities, Minoliti’s engagements with color and geometric forms propose the same radical undoing. In her work, form always informs politics, and seemingly rudimentary concepts like ‘color,’ ‘figure,’ and ‘shape’ become inseparable from gendered concepts. The playfulness and humor that abounds in her work also operates as a form of art-historical critique, nullifying modernist, masculinist readings of form and universality.”—Assistant Curator, Xiaorui Zhu-Nowell (@xzhunowell)」6月30日 2時08分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 6月30日 02時08分


#PrideMonth: “For Ad Minoliti (@minoliti), color theory is queer theory. In her expansive painting and conceptual practice, color and figuration become a framework in which to think through multitude, subjectivity, and difference. If queer theory proposes the construction of community through differences, not through sameness or identities, Minoliti’s engagements with color and geometric forms propose the same radical undoing. In her work, form always informs politics, and seemingly rudimentary concepts like ‘color,’ ‘figure,’ and ‘shape’ become inseparable from gendered concepts. The playfulness and humor that abounds in her work also operates as a form of art-historical critique, nullifying modernist, masculinist readings of form and universality.”—Assistant Curator, Xiaorui Zhu-Nowell (@xzhunowell)


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