ブルックリン美術館さんのインスタグラム写真 - (ブルックリン美術館Instagram)「Paper’s increased availability in 15th century Europe coincided with the revolutionary development of movable type and the advent of printed images: first woodcuts, then engravings, and, by the early 16th century, etchings. New printmaking technologies made it possible to create multiple images that could be widely circulated and consumed. “Print culture,” the explosion of these new reproductive techniques and their global dissemination of scientific, religious, political, and artistic knowledge, was as profoundly transformative in the early modern era as the Internet would be in the late 20th century. Many artists explored the expressive possibilities of prints, using them, as they did drawings, for thematic and technical experimentation and innovation. At the same time, prints also gave rise to new and persistent questions around concepts of originality and authorship. #BKMWorksonPaper⁠⠀ ⁠⠀ #AlbrechtDürer (German, 1471-1528). [Detail from] The Great Triumphal Chariot of the Emperor Maximilian I, 1522, begun 1518. Woodcut from eight blocks on eight sheets of laid paper. Brooklyn Museum, Gift of The Roebling Society, 83.43a-h ⇨ #Rembrandt Harmensz. van Rijn (Dutch, 1606-1669). Faust in His Study, Watching a Magic Disc, ca. 1652. Etching and drypoint on Eastern laid paper, image. #BrooklynMuseum, Gift of Mrs. Charles Pratt, 57.188.59 #bkmeuropeanart」7月12日 0時01分