スミソニアン博物館のインスタグラム(smithsonian) - 9月13日 05時41分

Batoul S’Himi has converted cookware to take the most domestic and local space—the kitchen or hearth—and situate it within a global picture.
In her untitled 2011 sculpture from the series "World Under Pressure," the pressure cooker draws attention to the underwhelming representation of women and women’s issues on a global level, while also alluding to the mounting pressure to change this.
This piece is among the pieces from our @nmafa's permanent collection on view now in the exhibition "I Am… Contemporary Women Artists of Africa." #IAMnmafa

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