ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「See a revolution in color 🌈   “Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond” is back on view through January 2, 2021.  Rather than mixing paint on the palette, Neo-Impressionist artists championed by French collector #FelixFeneon, like Georges #Seurat and Paul #Signac, placed bright dots of pure color next to each other.  They believed in the potential of avant-garde art to promote a more egalitarian world, and hoped that combining the vibrant colors of the rainbow would elicit an emotional response in their viewers and encourage them to strive for an equally harmonious society.  At the link in our bio, take a musical trip around the color wheel in our latest playlist inspired by their experiments in color theory.  Can’t make it to MoMA? We’re bringing our galleries to you with #MoMAVirtualViews. Explore the exhibition from wherever you are at mo.ma/feneon — Paul Signac. "Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890” (detail). 1890. Oil on canvas. © 2019 Artists Rights Society (ARS), New York / ADAGP, Paris  Georges-Pierre Seurat. Study for “A Sunday on La Grande Jatte” (detail). 1884. Oil on canvas. The Metropolitan Museum of Art, New York  Giacomo Balla. "Street Light” (detail). c. 1910-11. Oil on canvas. © 2020 Artists Rights Society (ARS), New York / SIAE, Rome  Paul Signac. "Setting Sun. Sardine Fishing. Adagio. Opus 221" (detail). 1891. Oil on canvas. © 2020 Artists Rights Society (ARS), New York / ADAGP, Paris  Henri Matisse. "Landscape near Collioure” (detail). 1905. Oil on canvas. Statens Museum for Kunst, Copenhagen  Georges-Pierre Seurat. “The Channel at Gravelines, Evening” (detail). 1890. Oil on canvas.  Georges-Pierre Seurat. "Model in Profile” (detail). 1886. Oil on wood. Musee d'Orsay, Paris  Paul Signac. “The Demolition Worker” (detail). 1897–99. Oil on canvas. Musée d’Orsay, Paris  A page from “Colors and Their Application to Industrial Arts Using Chromatic Circles.” 1861. Lithograph」8月29日 1時42分 - themuseumofmodernart

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 8月29日 01時42分


See a revolution in color 🌈

“Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond” is back on view through January 2, 2021.

Rather than mixing paint on the palette, Neo-Impressionist artists championed by French collector #FelixFeneon, like Georges #Seurat and Paul #Signac, placed bright dots of pure color next to each other.

They believed in the potential of avant-garde art to promote a more egalitarian world, and hoped that combining the vibrant colors of the rainbow would elicit an emotional response in their viewers and encourage them to strive for an equally harmonious society.

At the link in our bio, take a musical trip around the color wheel in our latest playlist inspired by their experiments in color theory.

Can’t make it to MoMA? We’re bringing our galleries to you with #MoMAVirtualViews. Explore the exhibition from wherever you are at mo.ma/feneon

Paul Signac. "Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890” (detail). 1890. Oil on canvas. © 2019 Artists Rights Society (ARS), New York / ADAGP, Paris

Georges-Pierre Seurat. Study for “A Sunday on La Grande Jatte” (detail). 1884. Oil on canvas. The Metropolitan Museum of Art, New York

Giacomo Balla. "Street Light” (detail). c. 1910-11. Oil on canvas. © 2020 Artists Rights Society (ARS), New York / SIAE, Rome

Paul Signac. "Setting Sun. Sardine Fishing. Adagio. Opus 221" (detail). 1891. Oil on canvas. © 2020 Artists Rights Society (ARS), New York / ADAGP, Paris

Henri Matisse. "Landscape near Collioure” (detail). 1905. Oil on canvas. Statens Museum for Kunst, Copenhagen

Georges-Pierre Seurat. “The Channel at Gravelines, Evening” (detail). 1890. Oil on canvas.

Georges-Pierre Seurat. "Model in Profile” (detail). 1886. Oil on wood. Musee d'Orsay, Paris

Paul Signac. “The Demolition Worker” (detail). 1897–99. Oil on canvas. Musée d’Orsay, Paris

A page from “Colors and Their Application to Industrial Arts Using Chromatic Circles.” 1861. Lithograph


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