テート・ギャラリーさんのインスタグラム写真 - (テート・ギャラリーInstagram)「#ArtWords: Coined by artist Laszlo Moholy-Nagy, 'The New Vision' was a photography movement which developed in the 1920s, directly related to the principles of the #Bauhaus. ​ ​Following the first mechanized conflict of the First World War, artists began to reclaim the mechanisms of image-making. The 1920s and 30s were an experimental time for photography, where unconventional techniques such as abstract photograms, photomontages and combinations of photography and graphic design suddenly flourished. ​Moholy-Nagy coined the expression 'The New Vision', stating that photographic techniques could capture the outside world in a way that the human eye could not.   With close ties to the Bauhaus, The New Vision aimed to look at the world through the camera lens, using it as a mirror to the reality of the everyday, and also a framing device for the documentary and experimental. Japanese photographer Iwao Yamawaki, a student at the Bauhaus School, incorporated the structural lines of modernist architecture into his photography, implementing strong effects of light and shadow, and close-ups that zoom in on a single texture or repeated motif. ​ Above are four photographic examples by Yamawaki, captured between 1930 and 1932: Untitled (Composition with eggs and string, Bauhaus); Untitled (Composition with bricks, Bauhaus); Set of Bowls and Untitled (Modernist architecture).」1月21日 22時18分 - tate

テート・ギャラリーのインスタグラム(tate) - 1月21日 22時18分


#ArtWords: Coined by artist Laszlo Moholy-Nagy, 'The New Vision' was a photography movement which developed in the 1920s, directly related to the principles of the #Bauhaus.

​Following the first mechanized conflict of the First World War, artists began to reclaim the mechanisms of image-making. The 1920s and 30s were an experimental time for photography, where unconventional techniques such as abstract photograms, photomontages and combinations of photography and graphic design suddenly flourished. ​Moholy-Nagy coined the expression 'The New Vision', stating that photographic techniques could capture the outside world in a way that the human eye could not.

With close ties to the Bauhaus, The New Vision aimed to look at the world through the camera lens, using it as a mirror to the reality of the everyday, and also a framing device for the documentary and experimental. Japanese photographer Iwao Yamawaki, a student at the Bauhaus School, incorporated the structural lines of modernist architecture into his photography, implementing strong effects of light and shadow, and close-ups that zoom in on a single texture or repeated motif.

Above are four photographic examples by Yamawaki, captured between 1930 and 1932: Untitled (Composition with eggs and string, Bauhaus); Untitled (Composition with bricks, Bauhaus); Set of Bowls and Untitled (Modernist architecture).


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