テート・ギャラリーさんのインスタグラム写真 - (テート・ギャラリーInstagram)「💜 Fashion, identity, painting... tickets are on sale today for #SargentAndFashion, a show that celebrates John Singer Sargent’s striking portraits of stylish sitters. 🎀 The exhibition features almost 60 of Sargent’s paintings, alongside period garments from the portraits themselves.  Sargent used fashion as a powerful tool to depict identity and personality. He often collaborated with his sitters on their clothing and accessories, as well as playing with props and playful direction. This concern over the creation of an image is as relevant today as we think about the ways we present to the world, from fashion choices to social media feeds. The show looks at how Sargent used fashion to create popular portraits of the time, which still captivate today.  Book your tickets today or become a Member for unlimited visits to Tate shows. ✨  🖼️ #JohnSingerSargent, Lady Agnew of Lochnaw (1864-1932) 1892, National Galleries of Scotland. Purchased with the aid of the Cowan Smith Bequest Fund 1925.」9月22日 0時13分 - tate

テート・ギャラリーのインスタグラム(tate) - 9月22日 00時13分


💜 Fashion, identity, painting... tickets are on sale today for #SargentAndFashion, a show that celebrates John Singer Sargent’s striking portraits of stylish sitters. 🎀 The exhibition features almost 60 of Sargent’s paintings, alongside period garments from the portraits themselves.

Sargent used fashion as a powerful tool to depict identity and personality. He often collaborated with his sitters on their clothing and accessories, as well as playing with props and playful direction. This concern over the creation of an image is as relevant today as we think about the ways we present to the world, from fashion choices to social media feeds. The show looks at how Sargent used fashion to create popular portraits of the time, which still captivate today.

Book your tickets today or become a Member for unlimited visits to Tate shows. ✨

🖼️ #JohnSingerSargent, Lady Agnew of Lochnaw (1864-1932) 1892, National Galleries of Scotland. Purchased with the aid of the Cowan Smith Bequest Fund 1925.


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