フィラデルフィア美術館さんのインスタグラム写真 - (フィラデルフィア美術館Instagram)「This idyllic landscape of poppies being picked in a field is not as it seems.  The signature at the bottom right of this painting is fake, likely added by a seller hoping to trick buyers hungry for a rare landscape by Mary Cassatt. The true artist’s identity remained a mystery until 2006, when museum curators learned of a watercolor by Victor Gilbert with an almost identical composition. Gilbert regularly painted idyllic pastoral landscapes of this type and it is unlikely that he made this work as a forgery.  🔎 See this and similar works in the exhibition Mysteries, Copies and Forgeries in Gallery 373.   "Poppies in a Field," 1880, Attributed to Victor Gabriel Gilbert (French, 1847–1935) Formerly attributed to Mary Stevenson Cassatt (American, 1844–1926)」11月26日 0時26分 - philamuseum

フィラデルフィア美術館のインスタグラム(philamuseum) - 11月26日 00時26分


This idyllic landscape of poppies being picked in a field is not as it seems.

The signature at the bottom right of this painting is fake, likely added by a seller hoping to trick buyers hungry for a rare landscape by Mary Cassatt. The true artist’s identity remained a mystery until 2006, when museum curators learned of a watercolor by Victor Gilbert with an almost identical composition. Gilbert regularly painted idyllic pastoral landscapes of this type and it is unlikely that he made this work as a forgery.

🔎 See this and similar works in the exhibition Mysteries, Copies and Forgeries in Gallery 373.

"Poppies in a Field," 1880, Attributed to Victor Gabriel Gilbert (French, 1847–1935) Formerly attributed to Mary Stevenson Cassatt (American, 1844–1926)


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2023/11/26

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