ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 12月1日 02時00分

From 1964 to 1973, @judy.chicago produced several drawings, paintings, and sculptures that explored color through a reduced geometric vocabulary. Acutely aware of Minimalism’s association with masculine gravitas, Chicago employed bright, candy-toned palettes and sleek, industrial forms in works such as "Rainbow Pickett" (1965/2021).

The work was first included in the historic 1966 exhibition “Primary Structures” at @thejewishmuseum, famous for introducing Minimalism and artists such as Donald Judd and Robert Morris to the New York art world. Among 42 artists, Chicago was only one of three women included in the exhibition, alongside Anne Truitt and Tina Matkovic.

Chicago’s exuberant use of color and form introduced a new explicitly feminist iconography that could reflect her shifting perspectives on identity and sexuality.

Judy Chicago, "Rainbow Pickett," 1965/2021. Matthews polyurethane paint on stainless steel. © Judy Chicago/Artists Rights Society (ARS), New York. Jordan Schnitzer Family Foundation. Photo: Dario Lasagni

#JudyChicago #JudyChicagoHerstory #PrimaryStructures #Minimalism

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