#SpeakingInDance | It's almost spooky the way @boardpstory can send his arms rippling in slow motion or glide on the tips of his toes. Few dancers come close to his unself-conscious suppleness, apparent on this playground in Bed-Stuy, #Brooklyn. Even when the camera stopped, @boardstory, drenched in sweat, didn’t. In this @nytimes exclusive, “Somewhere in Brooklyn Part Three,” @boardpstory danced to a track he produced for his label, @ReelEstates_marketing_. He calls it the first visual-distribution label on the planet and explained that “it’s built for dancers to debut as DJs.” His hope? For street dancers to become visual recording artists. “It’s not,” he told @nytimes writer @giadk. “just dancing on film.” Scroll back in our feed to see our first video with @boardpstory. Editing and music by Ra-Re Valverde for @RV_clitterbeastculture. #StoryboardP

nytimesさん(@nytimes)が投稿した動画 -

ニューヨーク・タイムズのインスタグラム(nytimes) - 3月10日 02時58分


#SpeakingInDance | It's almost spooky the way @boardpstory can send his arms rippling in slow motion or glide on the tips of his toes. Few dancers come close to his unself-conscious suppleness, apparent on this playground in Bed-Stuy, #Brooklyn. Even when the camera stopped, @boardstory, drenched in sweat, didn’t. In this @ニューヨーク・タイムズ exclusive, “Somewhere in Brooklyn Part Three,” @boardpstory danced to a track he produced for his label, @ReelEstates_marketing_. He calls it the first visual-distribution label on the planet and explained that “it’s built for dancers to debut as DJs.” His hope? For street dancers to become visual recording artists. “It’s not,” he told @ニューヨーク・タイムズ writer @giadk. “just dancing on film.” Scroll back in our feed to see our first video with @boardpstory. Editing and music by Ra-Re Valverde for @RV_clitterbeastculture. #StoryboardP


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