TIME Magazineのインスタグラム(time) - 3月5日 09時20分

Some kids grow up practicing Oscar speeches in the mirror. But when Greta Gerwig was a kid in Sacramento, she barely even went to the movies. When she did, she didn’t think about them as being directed—they just seemed like “whole things handed down from gods.” Even among mortal creators, scant few were women. Much has been happening to Gerwig lately. After a decade spent in front of the camera, she released her solo-directorial debut, @ladybirdmovie, last fall. The film has since been nominated for five #Oscars, including Best Director. This shouldn’t be any more noteworthy than another film’s success, but it is—women behind the camera rarely get mainstream recognition for their work. The nod makes Gerwig just the fifth woman nominated for directing in 90 years of Academy Awards—and the first female nominee since Kathryn Bigelow became the only woman to win, for The Hurt Locker in 2010. That Gerwig did it with Lady Bird—which shares some DNA with her Sacramento upbringing—is remarkable, not just because it took half a decade to make and twice as long to find the courage. Its story—about a high school senior trying out for the musical and losing her virginity and infuriating her mom and attempting desperately to leave her hometown in the rearview—is one we think we’ve seen, but never in quite this way. It’s one of few Best Picture nominees to take a teenage girl’s interior life seriously. And it’s hitting its peak at a moment when teens, at gun-control rallies and voter-registration drives, are proving themselves to be concerned with much more than the worlds inside their smartphones. Gerwig, 34, was photographed in Los Angeles in February. Photograph by @mahaney_mark for TIME

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