TIME Magazineのインスタグラム(time) - 11月15日 22時47分

It was no surprise that Norman Rockwell’s Four Freedoms paintings were a hit. Though the Office of War Information had turned down the set as not suitable for government use, Rockwell was already a nationally famous #artist and the Saturday Evening Post knew to plan a major publicity campaign around its 1943 release. As World War II raged on, an interpretation of the Four Freedoms, an idea introduced by President Franklin Roosevelt in 1941, felt particularly urgent. The Post was said to have received 60,000 letters about the images, and an exhibition was a massive hit. Even the government changed its mind, printing millions of posters. Now, 75 years later, those images—Freedom of Speech, Freedom of Worship, Freedom From Want, Freedom From Fear—are some of the most iconic visual representations of the American idea. But they were always more aspiration than reality. One gap was obvious to artist @hankwillisthomas and photographer @emilyshur: though the originals contain a relatively large cast of characters—including representations of Protestantism, Catholicism and Judaism in the “Freedom of Worship” tableau—that group barely brushes against the depth of #diversity. So Thomas and Shur set out to address that problem, with a new project that aims to capture the magic of these images while filling in that particular blank. Their reinterpretation of “Freedom of Worship” fronts our new cover package about what it means to be #American, including an essay by Viet Thanh Nguyen, the Pulitzer Prize-winning author who was born in Vietnam and raised in America, on "what it means to love my country, no matter how it feels about me." Read more on TIME.com. Photo-illustration by @hankwillisthomas and @emilyshur—@forfreedoms; animation by @brobeldesign

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