ニューヨーク・タイムズのインスタグラム(nytimes) - 2月13日 23時17分

#SpeakingInDance | “Step adds a heartbeat to the story and propels the energy and the emotions that these characters are going through,” said @jondbeee of the percussive, full-bodied dance breaks that give Broadway’s #choirboy, produced by @mtc_nyc, an exhilarating jolt. An ensemble member and the show’s dance captain, Jonathan steps into the lead role of Pharus on February 26. For him, step “also represents the black experience in a real way.” The choreographer @camilleabrown deftly uses the tradition of step, popular with African-American fraternities and sororities. @octarell_again’s musical play focuses on a group of young students at an all-male prep school. The current Pharus, @jeremypope – who’s leaving to star in the Temptations musical “Ain’t Too Proud” – said Camille told them that the movement is in their bloodlines. “It feels strong, it feels powerful,” he told the @ニューヨーク・タイムズ writer @giadk. “We dig deep into the ground. You’re able to shed a part of you. It really is a release.” @xdonavon made this video for #SpeakingInDance, our weekly series exploring the world of #dance.

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