ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 3月27日 03時07分

#JoanMir based “Dutch Interior (I)” on a seventeenth-century painting of a lute player (SWIPE). He bought this postcard reproduction of the work at the Rijksmuseum, in Amsterdam, a few months prior to beginning his painting. “I had the postcard pinned up on my easel while I painted.” Miró rejected the realistic design of the Dutch painting in favor of bold colors and flat shapes that played up some elements of his original inspiration—the lute and the man’s head and ruffled collar in particular—while diminishing others. Now on view. mo.ma/joanmiro
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[Credits: Joan Miró. “Dutch Interior (I).” Montroig, July-December 1928. Oil on canvas. Mrs. Simon Guggenheim Fund; Postcard of Hendrick Martensz Sorgh, “The Lute Player,” 1661, used by Joan Miró in composing Dutch Interior (I). Color lithograph. Gift of the artist; © 2019 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris] #joanmiro

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