トームさんのインスタグラム写真 - (トームInstagram)「#repost @anamendietaofficial Ana Mendieta “Untitled” 1973 Presented at Art Basel 2020 for the first time, the artist, Ana Mendieta covers her face with flowers one by one until her face is obscured. Created in Iowa, this work foreshadows “Imagen de Yágul,” one of Mendieta’s most well-known photographs taken in Mexico the same year.  Untitled, 1973 / 2020, Suite of six black and white photographs, Each: 16 x 20 inches (40.6 x 50.8 cm), Edition 2 of 12 with 3 APs  About Untitled 1973 / 2020: This early performative action, the artist inserts the stems of flowers into her clothing one by one until her face is obscured. Created in Iowa, this work foreshadows Imágen de Yágul, one of Mendieta’s best known photographs taken in Mexico the same year, in which she instead covers her body with flowers.  In a brief yet prolific career, the Cuban-born artist Ana Mendieta created groundbreaking work in photography, film, video, drawing, sculpture, and site-specific installations. Amongst the major themes in her work are exile, displacement, and a return to the landscape, which remain profoundly relevant today. Her unique hybrid of form and documentation, works that she titled “siluetas,” are fugitive and potent traces of the artist’s inscription of her body in the landscape, often transformed by natural elements such as fire and water. @galerielelong #anamendieta #artmadebywomen」10月9日 14時52分 - tomenyc

トームのインスタグラム(tomenyc) - 10月9日 14時52分


#repost @anamendietaofficial Ana Mendieta “Untitled” 1973 Presented at Art Basel 2020 for the first time, the artist, Ana Mendieta covers her face with flowers one by one until her face is obscured. Created in Iowa, this work foreshadows “Imagen de Yágul,” one of Mendieta’s most well-known photographs taken in Mexico the same year.

Untitled, 1973 / 2020, Suite of six black and white photographs, Each: 16 x 20 inches (40.6 x 50.8 cm), Edition 2 of 12 with 3 APs

About Untitled 1973 / 2020: This early performative action, the artist inserts the stems of flowers into her clothing one by one until her face is obscured. Created in Iowa, this work foreshadows Imágen de Yágul, one of Mendieta’s best known photographs taken in Mexico the same year, in which she instead covers her body with flowers.

In a brief yet prolific career, the Cuban-born artist Ana Mendieta created groundbreaking work in photography, film, video, drawing, sculpture, and site-specific installations. Amongst the major themes in her work are exile, displacement, and a return to the landscape, which remain profoundly relevant today. Her unique hybrid of form and documentation, works that she titled “siluetas,” are fugitive and potent traces of the artist’s inscription of her body in the landscape, often transformed by natural elements such as fire and water. @galerielelong #anamendieta #artmadebywomen


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