Vogue Italiaさんのインスタグラム写真 - (Vogue ItaliaInstagram)「‘This is not a fashion photography’ An article by #VinceAletti in our DNA Issue. By all accounts, Garry Winogrand was a driven and prolific photographer–a man with a voracious appetite for the incidental and the everyday. “There is no special way that a photograph should look,” he said, but his pictures often looked like snapshots–spontaneous, seemingly accidental, never artless. If Winogrand didn’t invent the snapshot aesthetic, he embodied it. But he processed and printed only a fraction of the images he shot. 450 of his transparencies are on view in “Garry Winogrand: Color” a brilliantly installed slide show that continues at the Brooklyn Museum until December 8. This image is among the earliest work in the exhibition , a series made in Coney Island between 1952 and 1958. Like the Lower East Side and Times Square, Coney Island has always been a popular site for photographers of the New York scene, from Lisette Model to Bruce Davidson to Richard Avedon. But Winogrand’s color sets him apart. Here, it also gives him access to the beach’s most sensuous side; his pictures radiate body heat. The casually entangled foursome here may not be posing for a fashion photograph, but their unself-conscious ease is effortlessly glamorous. The bathing suits, the sunglasses are simple but chic; the attitude is drop-dead cool. No one is posing; everyone looks marvelous. I love the hands, the shadows, the rolling landscape of the blanket they’re stretched out on. We’ll never know what magazine the girl on the right was so absorbed in, but we can imagine an Irving Penn issue of Vogue, smudged with suntan lotion, brimming with optimism. Don’t miss every month a new article by #VinceAletti on the pages of #VogueItalia! Read more via link in bio. ‘Untitled (Coney Island)’ by #GarryWinogrand (1952-1958). #TheNextChapter #TheDNAissue」7月15日 21時02分