ニューヨーク・タイムズのインスタグラム(nytimes) - 3月15日 02時53分

#SpeakingInDance | “This solo is extremely virtuosic and difficult, but I feel like I’m starting to find clarity and consistency,” said @briabacon of her part in “Signals,” a 1970 dance by #MerceCunningham. “Every time I find a stable ground with the technique, I add an element of risk — it’s surprising yourself as well as the audience.” The work, performed by the @stephenpetroniocompany beginning March 20 at the @thejoycetheater, was staged by the former Cunningham dancers @meltoogood and Rashaun Mitchell (of @rashaun.silas). Bria performs in silence here, but during the run, members of Composers Inside Electronics will accompany the dancers. The work is meant to be playful — movements are indicated through a series of cues among the dancers — but it’s technically diabolical. Earlier in the rehearsal process, Bria was worried she wouldn’t get through it. “Melissa told me to connect to my fatigue and to allow it to inform the movement,” Bria said. “Maybe I could use it to bring a breath of calmness.” That advice, she told the @ニューヨーク・タイムズ writer @giadk “opened up the roof of what the possibilities are in terms of what I can do with the solo.” She laughed. “It makes me super excited because now I know how to deal with a Sunday matinee.” @anrizzy took this #video for our weekly series, #SpeakingInDance.

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