村上隆さんのインスタグラム写真 - (村上隆Instagram)「Although the film is not scheduled to be released in Japan out of consideration for the victims of the atomic bombing, it should be shown at least in IMAX high-rate only, and we should be allowed to experience the art that sparked in Chris Nolan's brain. The film Oppenheimer cannot be blamed for any lack of courtesy. It beg for it to be screened in Japan.  Oppenheimer became an apostle of Einstein.  A similar message was found in Hayao Miyazaki's The Boy and The Heron. @ghibliusa What the great-uncle who resembles Einstein in that film tells the main character, Masato (Hayao), with a stone that seems to embody the truth of the universe behind him, seems to overlap with the director's life devoted to animation production. His mother and Einstein serve as metaphors for the structure of the universe itself, and the film ultimately concludes that they had no other choice but to submit themselves to their destinies. I felt the synchronicity between Nolan and Hayao, both of whom continue to earnestly create their cinematic art.  P.S. The realistic make-up of Matt Damon's rough skin in the film left a powerful impression on me.」9月28日 13時47分 - takashipom

村上隆のインスタグラム(takashipom) - 9月28日 13時47分


Although the film is not scheduled to be released in Japan out of consideration for the victims of the atomic bombing, it should be shown at least in IMAX high-rate only, and we should be allowed to experience the art that sparked in Chris Nolan's brain. The film Oppenheimer cannot be blamed for any lack of courtesy. It beg for it to be screened in Japan.

Oppenheimer became an apostle of Einstein.

A similar message was found in Hayao Miyazaki's The Boy and The Heron. @ghibliusa What the great-uncle who resembles Einstein in that film tells the main character, Masato (Hayao), with a stone that seems to embody the truth of the universe behind him, seems to overlap with the director's life devoted to animation production. His mother and Einstein serve as metaphors for the structure of the universe itself, and the film ultimately concludes that they had no other choice but to submit themselves to their destinies. I felt the synchronicity between Nolan and Hayao, both of whom continue to earnestly create their cinematic art.

P.S. The realistic make-up of Matt Damon's rough skin in the film left a powerful impression on me.


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